Manifest Deathtiny: Percival Everett’s American Desert of the Real

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2 juin 2017

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OpenEdition Books

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OpenEdition

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https://www.openedition.org/12554 , info:eu-repo/semantics/openAccess




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Michel Feith, « Manifest Deathtiny: Percival Everett’s American Desert of the Real », Presses universitaires François-Rabelais, ID : 10.4000/books.pufr.5472


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A quasi-surrealistic novel about a man who died and came back to life, American Desert is also a scathing parody of American myths and the contemporary media. The desert of the title is first of all a place, reminiscent of the Manifest Destiny. That this space is peopled by religious nuts and military fools cannot be a coincidence. Then, the important role given the media, especially television, alludes to an emptiness and superficiality in everyday American life, a life and a Dream which the protagonist had repeatedly failed to fully make his own. These are the paths that our study will attempt to follow. A reflection on the tall-tale/tell-tale nature of Theodore Street’s strange state of un-deadness will lead us to a discussion of American society as a parodic media desert. In such a context, the defamiliarizing tactics of humor can become both a debunking of empty images and narratives, and a sort of initiation beyond these disquieting mirrors and doubles, into a more human awareness. We will also be led to wonder if the surrealist reference is not more than a superficial comment on the strangeness of the plot, but also a possible Ariadne’s thread in the labyrinthine web of the text.

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