22 mai 2013
https://www.openedition.org/12554 , info:eu-repo/semantics/openAccess
Jeanne Delbaere-Garant, « Five-finger Exercises (1876-1886) », Presses universitaires de Liège, ID : 10.4000/books.pulg.934
“I like this; it’s even better than the pictures in the gallery. It’s more of a picture.”“Everything in France is a picture—even things that are ugly,” Waterville replied.“Everything makes a subject.” When James turned his back on France in 1876 he was not leaving the country with an empty bag. He had felt from the start that if he was to be a realist at all his true field would be psychological realism and not Flaubert’s art pour l’art or Zola’s naturalism. But he had also understood that an...