Fiche du document
25 mars 2022
- doi: 10.4000/books.pulm.13675
- isbn: 9782842699291
- eisbn: 9782367814063
https://www.openedition.org/12554 , info:eu-repo/semantics/openAccess
Mots-clés
hermeneutics Modernism unreadability literary misreading wreaderly textuality LIT000000 Literature (General) DSSujets proches
Handwriting Chirography Work, Method of Industry (Psychology) Method of work Eyesight Seeing Sight Semiology (Medicine) Diseases--Symptoms Symptomatology Signs, Clinical Clinical signs Semiology Symptomology Signs and symptoms Disease symptoms Poetry--Technique Papers Modernism World literature Western literature (Western countries) Belles-lettres Interpretation, Methodology of Methods of analysis Analysis and chemistry Analytical methods Chemical analysis Analysis methods Analysis and examinationCiter ce document
Antoine Cazé, « “There is one line, clearly drawn ” », Presses universitaires de la Méditerranée, ID : 10.4000/books.pulm.13675
Métriques
Partage / Export
Résumé
This paper explores the interplay of visuality and legibility in the work of H.D. Walter Benjamin’s analysis of the sign/mark dialectic is brought to bear on H.D.’s imagist poetics in relation to the Poundian ideal of objective clarity. H.D.’s images turn out to be dynamic compromise formations at the juncture between seeing and writing in which psychoanalytical interpretation originates. Unlike symptoms that might lend themselves to eventual elucidation, however, H.D.’s images un-read the poetic subject. They thus open up a specifically Modernist critical space of endlessly deferred readability.