5 juillet 2019
https://www.openedition.org/12554 , info:eu-repo/semantics/openAccess
Lionel Pilkington, « Moving Statues in Ireland: Theatre, Nation and Problems of Agency », Presses universitaires de Rennes, ID : 10.4000/books.pur.81126
“Learning to see is training in careful blindness.” Peggy Phelan, Unmarked: The Politics of Performance What theatres and nations have most in common conceptually are processes of sublimation and imaginative projection. A standard definition of nations—“systems of cultural representation whereby people come to imagine a shared experience of identification with an extended community”—can be applied just as easily to the collective experience of theatre. Acts of empathetic imagination that are ...