30 juin 2016
https://www.openedition.org/12554 , info:eu-repo/semantics/openAccess
Catherine Russell, « Benjamin, Prelinger, and the Moving Image Archive », Presses universitaires du Septentrion, ID : 10.4000/books.septentrion.2264
For the last fifty years the film archive has provided substantive material for a wide variety of experimental films, essay films, autobiographical films and documentaries. Digital technologies have brought the archive closer, more accessible and more prevalent in visual culture, and filmmakers have been recycling images and sounds from the cinematic archive with increasing frequency. The excessive manifestation of recycled, found and retrieved audiovisual material poses a number of critical ...