La Représentation de la montagne dans la littérature anglaise d’inspiration religieuse au XVIIe siècle
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30 janvier 2024
- doi: 10.4000/caliban.1284
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Mots-clés
bible Bunyan Carmel Cité Céleste Grégoire de Nysse Donne Herbert Moïse Sion allégorieSujets proches
Nyssa Standard of value Salvation--Popular works Salvation--Controversial literature God--Revelation Religious denominations Religion, Comparative Denominations, Religious Religions, Comparative World religions Comparative religion Social progress Jesus Christ--Cross Cross Case AmbivalencyCiter ce document
Jean-Louis Breteau, « La Représentation de la montagne dans la littérature anglaise d’inspiration religieuse au XVIIe siècle », Anglophonia Caliban/Sigma, ID : 10.4000/caliban.1284
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In all religions throughout the world, the mountain has always been represented as a privileged place, where the divine touches the terrestrial. In many countries or regions there are one or several "sacred mount(s)" where the Godhead is supposed to dwell and towards which one needs to turn oneself in order to find salvation. This is notoriously the case throughout the Bible in both the Ancient and the New Testaments, although some ambivalence can be identified in the symbolic value of the mountain which proves to be either a place of divine revelation or of spiritual contest. The Christian mystics down from Gregory of Nyssa to John of the Cross take this double dimension on board. So do the English metaphysical poets, in particular George Herbert and John Donne, as well as the puritan author of The Pilgrim’s Progress