From Ireland to the Caribbean: Derek Walcott’s Revivalism in Translation

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21 janvier 2022

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Ce document est lié à :
info:eu-repo/semantics/reference/issn/2270-0633

Ce document est lié à :
info:eu-repo/semantics/reference/issn/2534-6695

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https://creativecommons.org/licenses/by-nc-nd/4.0/ , info:eu-repo/semantics/openAccess




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Corentin Jégou, « From Ireland to the Caribbean: Derek Walcott’s Revivalism in Translation », Commonwealth Essays and Studies, ID : 10.4000/ces.9850


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For Derek Walcott, Caribbean history is marked by the experience of erasure and amnesia. Thus, while the idea of revivalism seems impossible, the West Indian artist is free to fashion a utopian, radically new culture. I will question this narrative in the light of Walcott’s references to the Irish Revival. Focussing on Omeros, I will show that translation provides an alternative path to cultural resurrection.

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