14 décembre 2012
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Sophie Delpeux, « Identification, pros and cons », Critique d’art, ID : 10.4000/critiquedart.1003
In the introduction to a publication, it is customary to emphasize the novel aspect of the issue(s) it deals with. Lori Pauli, curator of the exhibition La Photographie mise en scène : créer l’illusion du réel, applies herself to this task by winding up her essay “Planter le décor/Sketching the décor” with a regret: “Several historians of photography have overlooked staged photography, skipping the subject as if it had something to do with a moment of confusion, wild or otherwise, an agreeabl...