16 février 2024
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Elsa Bourdot, « Online Art Criticism and its Economy », Critique d’art, ID : 10.4000/critiquedart.110727
If this editorial had been written a year ago, its opening words would undoubtedly have been different. After a yearlong pandemic, which has seen video meetings, virtual exhibitions, online conferences and live discussions on Instagram, questioning the place and form of the critical discourse on western digital platforms perforce takes on a quite different dimension. A year ago, such platforms already had a central place in the art network,but the Internet was not yet the almost exclusive fo...