14 décembre 2012
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Alain Coulange, « Painting again », Critique d’art, ID : 10.4000/critiquedart.2009
The intent of the thick issue Peinture pratique théorique is praiseworthy. It involves prompting a “conversation” about the painting medium and its hold “within modernism”, once reputedly predominant but subsequently waning. The range of contributions discourages a priori any attempt to standardize a set of hypotheses that are as serried as they are complex, and defines any temptation to wax conclusive. Philip Armstrong’s essay, which introduces the volume, broaches the issue of knowing “what...