14 décembre 2012
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Marie de Brugerolle, « What are the production values? », Critique d’art, ID : 10.4000/critiquedart.2134
The question of taking everyday events as a way into the imaginary is raised in varying ways by seven recently published monograph catalogues (Francis Alÿs, Johannes Kahrs, Gillian Wearing, Sarah Jones, Alain Séchas, Monica Bonvicini and Laetitia Benat). The imaginary is made visible by appropriating and manipulating pre-framed images in psychogeographic sequences of which videos offer a trace, or by using the techniques of film editing, which are reappropriated by painting. At the heart of ...