14 décembre 2012
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Nathalie Pierron, « Architecture, Sex and the City », Critique d’art, ID : 10.4000/critiquedart.2314
In an article about Rem Koolhaas’ S,M,L,XL, Catherine de Smet described the relationship existing between the appearance and the content of this book, dealing as it does with Bigness Architecture, with the help of a judicious transposition of the categories of “duck” and “decorated shed” coined for buildings by Robert Venturi. The recent catalogue for the Mutations exhibition, which is less voluminous and above all more colourful, calls these terms to mind, somewhat. So–and to paraphrase her–...