14 décembre 2012
Ce document est lié à :
info:eu-repo/semantics/reference/issn/1246-8258
Ce document est lié à :
info:eu-repo/semantics/reference/issn/2265-9404
All rights reserved , info:eu-repo/semantics/openAccess
Moisdon Trembley Stéphanie, « Quality-free imagery », Critique d’art, ID : 10.4000/critiquedart.2392
Our day and age may well be one of screens and areas where images file past, hence imagery that is dubious, unverifiable and proliferating, but where, today, is there room for all those productions of moving images, be they analog or digital, which lay claim to their status as artworks? Video is not so much a medium as a tool, a technology applied to many different uses: television pictures, documentaries, surveillance imagery, personal and travel pictures, records, and, last of all, art imag...