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14 décembre 2012
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Pierre-Henry Frangne, « Commemorating Mallarmé », Critique d’art, ID : 10.4000/critiquedart.2485
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Mallarmé haunts the art of the twentieth century: he gleams even in his absence; he is present beyond the vanguards, he who remained attached to the classical conceptions of the work as an instrument for the conquest of the Absolute, and who “deconstructed” this conception in a total art which is simultaneously a critique, an aesthetic, and a philosophy of abolition or negativity. Rereading Mallarmé’s texts on art (and the very clear preface by Michel Draguet), and reading the two remarkable ...