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5 juin 2018
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Seventies (Twentieth century decade) 1970s 70s (Twentieth century decade) Hours (Time) Oil painting Paintings Painting, Primitive Interest and usury Frenchmen (French people) Paris, École de School of Paris Paris, School of Capital assets Fixed assets Commencement Advertising, Art in Industry and art American art West (Western countries) Western world Western nations OccidentCiter ce document
Hélène Trespeuch, « “The United States of (French) Painting”: Supports-Surfaces and the Test of Time », Critique d’art, ID : 10.4000/critiquedart.29314
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Résumé
In 1992, Bernard Ceysson explained that at the beginning of the 1970s, as the young curator of the Saint-Etienne Museum of Art and Industry, he took an interest in the Supports-Surfaces movement, because “it was connected with American art, therefore consigning the School of Paris to oblivion.” Following the famous 1964 Venice Biennial, which would officially consecrate New York as the new artistic capital of the Western world, thereby dethroning Paris, the prescribing power of the United Sta...