14 décembre 2012
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Muriel Pic, « Looking at Things: a Primer », Critique d’art, ID : 10.4000/critiquedart.448
Georges Didi-Huberman here questions the role of montage in the poetics of Bertolt Brecht, and thus reasserts Walter Benjamin’s influence on his works. Montage is at once a central issue in Benjamin and the foundation of Brecht’s epic theatre–Benjamin enjoyed a Marxism-inspired literary and political friendship with Brecht. Didi-Huberman elects to focus on one of Brecht’s late works: L’ABC de la guerre (Kriegsfiebel), published in part in 1955, and in toto in 1985. In it, on a black backgroun...