5 décembre 2019
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Mathieu Copeland, « Exhibition Cuttings », Critique d’art, ID : 10.4000/critiquedart.53702
Exhibitions are accompanied by an ensemble that presents them, represents them, and thus makes them present. This set made up of connected forms, paratexts—to borrow Gérard Genette’s term—and “exhibition prosthetics”, in Joseph Grigely’s provocative turn of phrase, associates the names of the artists and the curator(s), the exhibition’s title, the texts and essays, the notices, the audio guide, all augmented realities, printed media, and, needless to add, the catalogues. Joseph Grigley questi...