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5 décembre 2019
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Dagara Dakin, « The Landscape of African Art: Transformations at the Venice Biennale », Critique d’art, ID : 10.4000/critiquedart.53747
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“Although I try and put things into perspective, I believe that the reason I have become so spiritually foreign to my native country, while remaining preoccupied by it – while it remains a preoccupation –, is for a great part its refusal to acknowledge the existence of this skull.” The Venice Biennale, to a greater extent than any other international event, offers a summary of the current global art scene, which could opportunely be re-questioned regarding the visibility of contemporary Afric...