Visual Artists from the Bled. From Sadek Rahim to the Hirak, Contemporary Algerian Art’s Quest for Autonomy
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5 décembre 2019
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Foreign languages Languages Sketch, Literary Literary sketch Construction Community Architectural engineering Construction Buildings--Design and construction Engineering, Architectural Independence Self-government Algerian art Western art (Western countries) Fine arts Iconography Arts, Fine Art, Occidental Arts, Visual Visual arts Occidental art Art, Visual Art, Western (Western countries) Western architecture (Western countries) Building design Construction Buildings--Design and construction Architecture, Western (Western countries) ArtsCiter ce document
Florian Gaité, « Visual Artists from the Bled. From Sadek Rahim to the Hirak, Contemporary Algerian Art’s Quest for Autonomy », Critique d’art, ID : 10.4000/critiquedart.53876
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Invitation card for the opening of Sadek Rahim : Gravity3, Oran, 2019 © Faouzi Louadah Producing a critical essay on Algerian art means laying aside most of one’s interpretative filters in order to seek out a mobile and contrasted, occasionally underground scene that is constantly under construction. Algeria itself is a mosaic-like society, divided into many different communities, languages and regional cultures, and although its art scene is not organised according to these social distributi...