30 novembre 2020
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François Aubart, « The Exhibition. Theories and Practices », Critique d’art, ID : 10.4000/critiquedart.68102
Since the 1990s, exhibitions have become a popular research subject, with numerous studies devoted to them. This has given rise to a desire for a history of exhibitions which, unlike the history of art, should take into account the practical and social conditions in which the works are displayed. Among the numerous responses to this issue is Bruce Altshuler’s Salon to Biennial. The title of this two-volume summary is self-explanatory: it is a history of visibility and recognition in connectio...