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14 décembre 2012
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Griselda Pollock, « Women who are artists / Artists who are women », Critique d’art, ID : 10.4000/critiquedart.707
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These books span the often contradictory impulses that constitute the emergence of feminism as a both theoretical-strategic and a practical-tactical inflection of writing of art history and criticism. Differently oriented, the books address a common problematic, each explored by the opposing strategy. That problematic is the excessive visibility the feminine as a figuration in the image (Ecce Femina) and the created invisibility of women as creators (Femmes artistes / artistes femmes). The pr...