14 décembre 2012
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Eric Darragon, « The Desire to Understand and Photography », Critique d’art, ID : 10.4000/critiquedart.850
Photography is part and parcel of the history of Surrealism, and a far-reaching and active part of that movement. In choosing a provocative title–L’Image au service de la révolution–for his collection of essays, Michel Poivert’s intent was to show that, far from being an accompaniment to writing and publications, the photographic image operated as a way of thinking necessary for that analytical process called Surrealism at the service of revolution. To grasp the phenomenon, it had to be obser...