3 décembre 2021
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Muriel van Vliet, « Does Art Think? From Dutch Still Lifes to the Critical Power of Dysfunctional Machines », Critique d’art, ID : 10.4000/critiquedart.85175
Following its initial focus on the objectivity of artworks, led by classical 17th-century thinkers Nicolas Boileau and the Abbé Batteux, who adopted a normative view of art as imitation of la Belle Nature; in the 18th century, aesthetics conversely came to characterise the fully subjective experience of artworks – from the viewpoint of the artist and the viewer. This was theorised as the aesthetics of feeling by a certain David Hume, relying on the viewer’s senses recording impressions as sen...