2 juin 2022
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Thomas Crow, « On Theodore Roszak and the Counterculture to Come », Critique d’art, ID : 10.4000/critiquedart.91765
The counterculture of the 1960s, in the minds of many, ushered in the post-literate sensibility writ large across the sensory phantasmagoria of the present-day Internet and streaming media. Mental transport via mind-altering drugs, surrender to free-form rock music, and immersion in meditative states all confound the syntactical linearity of the word on the page. Yet at least one attentive observer has counter-intuitively dubbed the decade “the last great reading culture.” This critic, Philip...