15 décembre 2022
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Marjolaine Lévy, « From Ithaca to Doha: Where is Arab Abstraction? », Critique d’art, ID : 10.4000/critiquedart.98046
At the beginning of the 2000s, the Tate Modern held a programme entitled Contemporary Art and Globalisation Study Day, which reflected on the promotion of non-Western artistic practices. The geographic and cultural disorientation of the museum’s activity implied a challenging of the dominant discourse, the centre/periphery dichotomy and the established hierarchies within Western-centric art history. In 2013, the Centre Pompidou Musée national d’art moderne unveiled the new hanging of its perm...