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14 août 2015
- doi: 10.4000/ejas.10938
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info:eu-repo/semantics/reference/issn/1991-9336
https://creativecommons.org/licenses/by-nc/4.0/ , info:eu-repo/semantics/openAccess
Mots-clés
9/11 Comics/ graphic novels fantasy identity Christopher Murray Edgar Allan Poe Erik H. Erikson Guillermo del Toro H. P. Lovecraft Hector St. John de Crevecoeur Jason Dittmer Jeffrey J. Johnson John Byrne John M. Murrin John Trumbull Joseph Michael Sommers Laura O’Connor Martin Lund Max Weber Mike Mignola Ole Frahm Peter Freese Robert Genter Stephen Weiner Susan-Mary Grant Tony M. Vinci Ursula K. Le GuinSujets proches
Manhwa (Comic books, strips, etc.) Serial picture books Comics Manhua (Comic books, strips, etc.) Comic strips Manga (Comic books, strips, etc.) FunniesCiter ce document
Maaheen Ahmed, « State Protection and Identification in Hellboy: of reformed devils and other Others in the Pentagon », European journal of American studies, ID : 10.4000/ejas.10938
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Résumé
This article explores possible implications of the Hellboy comic book series for constructions of individual and national identity in the American context, accounting for the factors of globalization and 9/11 as well as precedents in the comics medium. It also considers Hellboy as a self-reflection on the history and nature of the comics medium itself.