15 mars 2021
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Cyril Besson, « Foreword », Études écossaises, ID : 10.4000/etudesecossaises.3526
The concept of national cinema rests on two underlying assumptions: first, that “films produced in a national context will display some distillation of the historical, social and political culture of that country”; second, that “cinema (as one aspect of popular culture) plays a role in the construction of national identity”, thus participating in the building of what Benedict Anderson termed “an imagined community”—or perhaps more appropriately in this case, an imaged community. In the case o...