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27 janvier 2022
- doi: 10.4000/hybrid.1304
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info:eu-repo/semantics/reference/issn/2276-3538
https://creativecommons.org/licenses/by-sa/4.0/ , info:eu-repo/semantics/openAccess
Mots-clés
art economics fiction-economy museum heritage digital creation political philosophy critical enterpriseSujets proches
Economic theory Political economy Biblical cosmogony Western art (Western countries) Fine arts Iconography Arts, Fine Art, Occidental Arts, Visual Visual arts Occidental art Art, Visual Art, Western (Western countries) ArtsCiter ce document
Martial Poirson, « Economic f(r)ictions », Hybrid, ID : 10.4000/hybrid.1304
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Résumé
Despite opposite paradigms and reversed constructions, art and economy nurture obvious resemblances that our postmodernity reveals, more than ever. Scripting practices, scenography or digital creation take part in shaping either a great praise for political economy within devices of heritage recognition, or, in the contrary, its infiltration through business-artists sometimes real, sometimes fictitious: the latest are likely to subvert or, to say the least, divert the logics of promotion and evaluation both artistic and mercantile. Exhibitions represent a privileged observation point for contemporary reorganization of a fiction-economy which major issues are not only aesthetic but still ideological, at a time when France is creating cultural and museographic institutions dedicated to popularizing economic activity, while a meaningful number of artists is forming as a critical enterprise.