The injunction to share photographs: A form of participation that benefits the public or the institution?
Fiche du document
21 avril 2022
- doi: 10.4000/hybrid.1975
Ce document est lié à :
info:eu-repo/semantics/reference/issn/2276-3538
https://creativecommons.org/licenses/by-sa/4.0/ , info:eu-repo/semantics/openAccess
Mots-clés
participation photographic sharing Réunion des musées nationaux Grand Palais photographic practices digital platforms scenographySujets proches
Scenery (Stage) Stage scenery Staging Stage guides Art and theater Theatrical scenery Setting (Stage) Scenography Stage-setting Design, TheatricalCiter ce document
Sébastien Appiotti, « The injunction to share photographs: A form of participation that benefits the public or the institution? », Hybrid, ID : 10.4000/hybrid.1975
Métriques
Partage / Export
Résumé
Mobile applications, (data)vizualisation participation flat screens, so-called “immersive” scenographic units for visitor’s photographic staging: this article seeks to understand the interests of cultural institutions that underlie the multiplication of devices for encouraging photographic participation in recent years. Based on doctoral research carried out at the Galeries nationales du Grand Palais between 2013 and 2017, I will question the role of the injunction to public participation by showing that it seeks to support the digital communication strategy of an institution that favours the use of digital platforms.