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27 janvier 2022
- doi: 10.4000/hybrid.446
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info:eu-repo/semantics/reference/issn/2276-3538
https://creativecommons.org/licenses/by-sa/4.0/ , info:eu-repo/semantics/openAccess
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chronotope commemoration hypermedia mourning rite temporalityCiter ce document
Myriam Watthee-Delmotte, « The performative and ritualised production of mourning in digital art: a formalisation of time », Hybrid, ID : 10.4000/hybrid.446
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Literature has always been present in the mourning process, because of the human need of symbolization, specifically with verbal language; nowadays, the hypermedia creations play a role in this. The article analyses what brings the numeric form when it is involved in an aesthetical project, in two works: Remembering the Dead by John Barber and Paroles gelées by Françoise Chambefort. It observes how both works, which simultaneously play on emotional and notional matters, propose to share a ritual experience. More specifically, it shows how the performativity depends on a particular, chronotopical, formalization of the temporality.