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13 juillet 2013
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Mots-clés
Chronotope iconic power efficaciousness of the images agency theory of film photography mediaSujets proches
Hostilities Conflict, Armed (War) Wars Armed conflict (War) FightingCiter ce document
Karl Sierek, « Image-Animism », Images re-vues, ID : 10.4000/imagesrevues.2874
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Résumé
The film Far from War (Yuanli zhanzhengde niandai, Cn/1987) by the female director Hu Mei depicts – with an increasingly tightening and circular flow of recurring images – the attempts of a war veteran to cope with his memories and traumata from the Second Sino- Japanese war. Being exposed to and at the mercy of the power of these images, he decides to follow them. He moves out to invoke and drive out the haunting images at the places where he experienced the war. Towards the end of the film ...