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4 novembre 2015
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François-Bernard Mâche, « The Life of Musical Forms », La lettre du Collège de France, ID : 10.4000/lettre-cdf.2707
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There are countless studies of musical forms. We often split them into two main groups: those that associate forms with genres, or even styles (fugues, concertos, gavottes, recitatives, etc.); and those which, more or less overlooking functional or stylistic connotations, strive to analyse pure structural organizations, temporal architectures of sound. My intention here is to show that, rather than offering an alternative, both approaches are necessarily complementary, insofar as many tempor...