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3 octobre 2005
- doi: 10.4000/pipss.369
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info:eu-repo/semantics/reference/issn/1769-7069
https://creativecommons.org/licenses/by-nc-nd/4.0/ , info:eu-repo/semantics/openAccess
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Hostilities Conflict, Armed (War) Wars Armed conflict (War) FightingCiter ce document
David Gillespie, « Defence of the Realm: The ‘New’ Russian Patriotism on Screen », The Journal of power institutions in post-soviet societies, ID : 10.4000/pipss.369
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This paper examines the war theme in Russian film since the collapse of the Soviet Union, with special reference to the ongoing conflict in the Caucasus. It will explore the tension and seeming contradiction between the military machine as faceless bureaucracy, and the ordinary soldier, seen as the honest and true face of Mother Russia. Through an analysis of both TV and feature films, it will also explore the evolution of attitudes towards the 'new' Putin-era reality, where business and capitalism are condemned as helping the 'enemy', at the expense of the Motherland. Films to be discussed include Chest' imeiu, Gospoda ofitsery, Blokpost, Marsh-brosok, Voina.