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11 février 2018
- doi: 10.4000/sdt.1569
Ce document est lié à :
info:eu-repo/semantics/reference/issn/0038-0296
Ce document est lié à :
info:eu-repo/semantics/reference/issn/1777-5701
https://creativecommons.org/licenses/by-nc-nd/4.0/ , info:eu-repo/semantics/openAccess
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Frontier troubles Jazz octets Double bass and piano music (Jazz) Jazz--United States Accordion and piano music (Jazz) Jazz duets Clarinet and piano music (Jazz) Jazz quintets Xylophone and piano music (Jazz) Jazz music Jazz ensembles Jazz sextets Jive (Music) Wind instrument and piano music (Jazz) Jazz nonets Cornet and piano music (Jazz) Jazz quartets Jazz trios Jazz septets Saxophone and piano music (Jazz) Vibraphone and piano music (Jazz) AnnalsCiter ce document
William Weber, « Jazz, les échelles du plaisir, O. Roueff », Sociologie du travail, ID : 10.4000/sdt.1569
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Writing the history of a subject from a sociological point of view has emerged as a genre in its own right. In the wake of Pierre Bourdieu’s writings on the genesis and structure of the literary world, and of Paul DiMaggio’s depiction of the transformation of orchestral concerts, Olivier Roueff has fashioned a history of jazz in France which focuses the role of intermediaries as links between musicians and the public. Using a keenly manipulated framework of analysis, O. Roueff depicts how suc...