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18 juillet 2014
- doi: 10.4000/volume.4094
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Daniel Harrison, « Kirk Curnutt, Brian Wilson », Volume !, ID : 10.4000/volume.4094
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Finally, the Professors of English have gotten to Brian Wilson! This is great news, since we don’t need any more chronologies, anthologies, mythologies, psychologies, or hagiographies. The main facts of his biography to date are settled, and those few in dispute are both long-standing and familiar to fans. Those interested in Wilson’s music are in need of critical, broadly humanistic, and cross-cutting perspectives that illuminate the “backstage” of his biography—his cultural situation, his p...