Michael Denning, Noise Uprising : The Audiopolitics of a World Musical Revolution

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13 décembre 2017

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Ce document est lié à :
info:eu-repo/semantics/reference/issn/2117-4148

Ce document est lié à :
info:eu-repo/semantics/reference/issn/1950-568X

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In Noise Uprising, Michael Denning shows why he is by now regarded as a giant in the fields of American studies and cultural studies. Denning recovers the sound and politics of a global “musical revolution” waged over just five or six years in the late 1920s. His central claim is that the early studio recordings of vernacular musicians from all over the world served as a vehicle, as well as a low-rumbling catalyst, for a political revolution: the global uprising against colonialism. Denning’s...

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