2 octobre 2019
info:eu-repo/semantics/openAccess
Editorial Board, « Carolina Vanegas Carrasco: Memory Dynamics in Monuments and Counter-Monuments in Colombia », Transregional Academies, ID : 10.58079/ajw2
The current discussions around the 2009 intervention in the Central Cemetery of Bogota by Colombian artist, Beatriz González, Auras Anónimas, as well as Fragments, the work made by Colombian artist, Doris Salcedo, with the weapons left by the former guerrilla movement FARC/EP in 2018, are starting points to think about the definitions of monument and counter-monument and its dynamics in the contemporary Colombian context. These debates allow us to identify the current methodological ways to ...