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4 avril 2021
- doi: 10.58079/moj7
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info:eu-repo/semantics/reference/issn/2268-6142
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Suits of armor Armor, Primitive Arms and armor Armour Curved surfaces Parliamentary government Representation Self-government Political representation Oil painting Paintings Painting, Primitive Northern Italy 15th centuryCiter ce document
Florence Larcher, « Conférence : Diane Bodart, « In the Mirror of Armor », en ligne, 7 avril 2021 », Centre d’histoire de l’art de la Renaissance, ID : 10.58079/moj7
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Le Greco, Enterrement du comte d'Orgaz (détail), v. 1586-1588. Huile sur toile, 480 × 360 cm. Santo Tomé, Tolède. In the early fifteenth century, while new treatments of steel surfaces elaborated in Northern Italy made armor as shiny and reflective as a mirror, the refinement of glazes reached by oil painting in the Low-Countries allowed the representation of such optical effects. At the encounter between these two new technologies, the pictorial detail of the reflection became the site for ...