“It is no Desert.” White Pages, Black Ink, and Green Poems in Stephen Crane’s The Black Riders and Other Lines
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31 mai 2023
- doi: 10.58079/pg65
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Chrestomathies and readers Poems Gay nineties Nineties (Nineteenth century decade) 90s (Nineteenth century decade) 1890s Preschool readers English language--Chrestomathies English language--Readers Chrestomathies Poetry--Philosophy Poems Verses (Poetry) Oil painting Paintings Painting, Primitive Literary critics Valiancy Bravery Valiantness Intrepidity Heroism Courageousness Valor Intrepidness Valiance Dauntlessness Fearlessness Valorousness Colours Brush technique Brush strokes Brushstrokes Brush work Nobility, Titles of Address, Titles ofCiter ce document
The Editors, « “It is no Desert.” White Pages, Black Ink, and Green Poems in Stephen Crane’s The Black Riders and Other Lines », HCA Graduate Blog, ID : 10.58079/pg65
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by Philipp Leonhardt Even a cursory look at titles like The Red Badge of Courage, “The Bride Comes to Yellow Sky” or “The Blue Hotel” reveals that the works of Stephen Crane keep on changing colors. Ever since he entered the literary scene in the 1890s, readers have been puzzled by Crane’s literary brush strokes and their proximity to visual techniques of defamiliarization in painting and photography. Some critics have referred to him as a “literary chameleon” (Nagel 1982: 163), and his co...