Moving Between the Transnational and the Local. Kotzebue’s 'Menschenhaß und Reue' on the London Stage c. 1800
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23 avril 2021
- doi: 10.58079/qn11
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info:eu-repo/semantics/reference/issn/2752-2571
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Turnery (Lathe work) Turning Lathe work Stage Dramatics Histrionics Theatre Professional theater Papers Natural scenery Countryside Landscape Scenery Scenic landscapes Council of Europe countries Stage Drama, Modern Plays Drama--Philosophy Audiences, Communication Communication audiences Stage Histrionics paysage représentation du paysageCiter ce document
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Guest Contribution by Annelies Andries (Oxford and Utrecht) and Clare Siviter (Bristol) August von Kotzebue’s Menschenhass und Reue (premiered 1788; printed 1790) spread like wildfire through the literary and theatrical landscape of Europe around 1800. This paper examines how three translations for London published in the late 1790s combine transnational networks and local adaptation strategies to cater for their intended audiences, before turning to the version performed at Drury Lane in ...