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26 septembre 2017
- doi: 10.58079/sho9
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Pablo Markin, « Jacques Rancière: Universal Expositions and le Partage du Sensible », Open Culture, ID : 10.58079/sho9
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In their 1975 article “En allant à l’expo : l’ouvrier, sa femme et les machines”, Jacques Rancière and Patrice Vauday associate the universal exhibitions, such as those in 1867 and 1900, with spectacles as sites of the production and reproduction of cultural, political and social relations. A Blog Article by Pablo Markin. Conceived to demonstrate the wonders of industrial technology, expositions from this perspective are not only constituted by social imaginaries, such as dated representati...