3 décembre 2019
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simonlindner, « 1818: The Parthenon’s surviving metope and its absent counterparts », Translocations. Ikonographie, ID : 10.58079/uu1z
Commented by: Eleonora Vratskidou Lord Elgin’s removal of the Parthenon marbles caused intense reaction among European intellectual and artistic circles. Several artists and travellers visually recorded the conspicuous emptiness of the temple’s entablatures, along with the numerous written commentaries on the topic. Pitzamanos’ watercolour is the only known visual account by a Greek observer, made three years before the Greek uprising against the Ottoman Empire. While registering what seem...