Troubling and Transforming Historiographies of the Modern | Elizabeth Harney

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Elizabeth Harney By all accounts, Ruth B. Phillips and I should have met long before 2010. That year she reached out to invite me to a symposium at the Clark Art Institute. We shared a few exciting days with colleagues gathered to discuss the challenges of archiving and writing comparative modernist histories focused on both Indigenous artists and those from the former colonial regions of the Global South. This first meeting would lead to an innovative multi-year research cluster, headed b...

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