Conférence : Alice Bovey, « The House of Mirth: the ethics of laughter and ridiculous Gothic art », Londres, The Courtauld, 26 mars 2024
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7 mars 2024
- doi: 10.58079/vz3h
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info:eu-repo/semantics/reference/issn/2268-6142
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Natural trumpet Bass trumpet Valve trumpet Slide trumpet Piccolo trumpet Hours (Time) Stonework, Decorative Sisters (in religious orders, congregations, etc.) Mars Liturgy Liturgiology Laughing Iconoclasm--History Painted glass Glass, Stained Stained glass Moral philosophy Science, Moral Morals Ethics, Primitive Philosophy, Moral Morality Deontology Ethology Burros Ass, Small Equus asinus asinus Equus africanus asinus Domestic ass Dancing Dances Medieval art Moral ideas Religion and ethics Biography--Character Knowledge--Ethics moraleCiter ce document
Florence Larcher, « Conférence : Alice Bovey, « The House of Mirth: the ethics of laughter and ridiculous Gothic art », Londres, The Courtauld, 26 mars 2024 », Centre d’histoire de l’art de la Renaissance, ID : 10.58079/vz3h
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Résumé
Medieval art frequently juxtaposes sacred texts and spaces with witty, satirical, silly, and sometimes arrestingly crude images. Nuns dance barefoot, fox-bishops preach to their prey, and disembodied bottoms trumpet in stained glass, sculpture, and the margins of books that contain scripture, prayers, and liturgy. From the time that they were made, such images have provoked amusement and bemusement, ire and iconoclasm. They have found new admirers in the instagram age, harp-playing donkeys ...