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2000
- doi: 10.7202/1014457ar
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Canadian University Music Review ; vol. 20 no. 2 (2000)
All Rights Reserved © Canadian University Music Society / Société de musique des universités canadiennes, 2000
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Addresses Papers, Collected (Anthologies) Orations Collected papers (Anthologies) Discourses Schenker analysis Schenkerian theory Schenker system Serious music Musical compositions Art music Musical works Classical music Western music (Western countries) Art music, Western Western art music Addresses Lecturing Speaking Discourses Article Chiasm (Rhetoric)Citer ce document
Adam Krims, « Tracing the Chiasmus: A Response to William Renwick », Canadian University Music Review / Revue de musique des universités canadiennes, ID : 10.7202/1014457ar
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This response addresses those of Renwick's critiques that can be addressed briefly: the status of a Schenker analysis not done by Schenker, whether or not the original article was a "deconstruction," and whether Julia Kristeva can be assimilated satisfactorily to structural linguistics. More fundamentally, the response proposes that, despite his stated ambitions, Renwick, in fact, provides a deeply heterogeneous Schenker; and finally, that Renwick's claim for music theory's current practices rests on a conflation of productivity, as I describe it, with electicism.