Elaine Barkin and Lydia Hamessley, eds. 1999. Audible Traces: Gender, Identity, and Music. Zurich: Carciofoli Verlagshaus. Verbal score, index, CD, 292 pp. ISBN 3-905323-00-1 (hardcover) Tullia Magrini, ed. 2003. Music and Gender: Perspectives from the Mediterranean. Chicago: University of Chicago Press, 371 pp. ISBN 0226501655 (hardcover)
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2003
- doi: 10.7202/1014676ar
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Canadian University Music Review ; vol. 24 no. 1 (2003)
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Beverley Diamond, « Elaine Barkin and Lydia Hamessley, eds. 1999. Audible Traces: Gender, Identity, and Music. Zurich: Carciofoli Verlagshaus. Verbal score, index, CD, 292 pp. ISBN 3-905323-00-1 (hardcover) Tullia Magrini, ed. 2003. Music and Gender: Perspectives from the Mediterranean. Chicago: University of Chicago Press, 371 pp. ISBN 0226501655 (hardcover) », Canadian University Music Review / Revue de musique des universités canadiennes, ID : 10.7202/1014676ar
