Barcelona y la música de moda. De lo finisecular decimonónico a comienzos del siglo XX (nuevos bailables y llegada del jazz). El caso de Clifton Worsley (*1873; †1925). Parte II. Una obra original, hija de su tiempo Barcelona and Fashion Music. From the end of the 19th century to the beginning of the 20th century (new ballroom pieces and the arrival of jazz). The case of Clifton Worsley (*1872; †1925). Part II. An Original Musical Output, Debtor of his Time
Fiche du document
21 octobre 2019
- 10261/192982
- Cuadernos de Investigación Musical (7) : 161-232 (2019)
- doi: 10.18239/invesmusic.v0i7.1993
- 2530-6847
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Hours (Time) Wireless (Radio) Telephone, Wireless Wireless telephone (Early radio) Serious music Musical compositions Art music Musical works Classical music Western music (Western countries) Art music, Western Western art music Jazz octets Double bass and piano music (Jazz) Jazz--United States Accordion and piano music (Jazz) Jazz duets Clarinet and piano music (Jazz) Jazz quintets Xylophone and piano music (Jazz) Jazz music Jazz ensembles Jazz sextets Jive (Music) Wind instrument and piano music (Jazz) Jazz nonets Cornet and piano music (Jazz) Jazz quartets Jazz trios Jazz septets Saxophone and piano music (Jazz) Vibraphone and piano music (Jazz) Belle époque Belle époqueCiter ce document
Antonio Ezquerro et al., « Barcelona y la música de moda. De lo finisecular decimonónico a comienzos del siglo XX (nuevos bailables y llegada del jazz). El caso de Clifton Worsley (*1873; †1925). Parte II. Una obra original, hija de su tiempo », Digital.CSIC (SHS), ID : 10.18239/invesmusic.v0i7.1993
