12. Ethical Scholarly Publishing Practices, Copyright and Open Access: A View from Ethnomusicology and Anthropology
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12 septembre 2019
- handle: 10670/1.1uod5k
- isbn: 9781783746484
- eisbn: 9791036538087
https://creativecommons.org/licenses/by/4.0/ , info:eu-repo/semantics/openAccess
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ethics open access intellectual property creativity collection of essays copyright copyright debate artist's perspectives writer's perspectives feminist perspectives international perspectives future of publishing Law LAW050010 LNRCSujets proches
Copyright--Law and legislation Literary property Property, LiteraryCiter ce document
Swijghuisen Reigersberg Muriel, « 12. Ethical Scholarly Publishing Practices, Copyright and Open Access: A View from Ethnomusicology and Anthropology », Open Book Publishers, ID : 10670/1.1uod5k
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Introduction Whose book is it anyway? Whose research is it really? If musical experience and meaning are co-created through listening and performative participation and a form of embodied knowledge, what does this mean in terms of copyright, cultural ownership, epistemologies and the academic enterprise of writing about the music of others? Who owns musical experience? Who, if anyone, has the right to write about shared musical experience, and then sell this writing, or gain a doctorate from ...