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2015
- handle: 10670/1.25mmz7
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Description and travel--Views Pictures Iconography Womyn Wimmin Woman Womon Human females Violent behavior Animals--Respiration Animal respiration Ventilation (Physiology) Breathing Pictorial representations Iconography Oil painting Paintings Painting, Primitive Human males Natural scenery Countryside Landscape Scenery Scenic landscapes Family Family structure Families--Social aspects Families--Social conditions Family life Structure, Family Family relationships Relationships, Family Codes Contractions Balkan States Southeastern Europe Europe, Southeastern Balkans Women's work Biography--Ancestry Relations with family Biography--Descendants Biography--Family Ancestry paysage représentation du paysageCiter ce document
Galia Valtchinova et al., « Peindre avec le cœur : Ömer Kaleşi et les paysages mémoriels balkaniques », Études Balkaniques-Cahiers Pierre Belon, ID : 10670/1.25mmz7
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Pictures of the Heart : Ömer Kaleşi and the Balkan Memorial LandscapeA series of conversations with the Paris-based painter of a complex Balkan background, structured around the notion of memorial landscape, give a glimpse at the importance of native place, of the material and moral worlds in the painter’s formative years. The family and the native village are evoked through memories of religious mixture and multiple linguistic codes, while images of war-time violence or everyday hardships are convoked to make sense of certain of the painter’s choices. Forty years after establishing himself in Paris, Balkans men and women, Balkan sense of the past and of timelessness are still breathing in Omer’s painting.