2006
info:eu-repo/semantics/OpenAccess
Paulo Vélez León et al., « Políticas al Borde.: Una investigación sobre arte contemporáneo cuencano en los discursos políticos actuales. », HAL-SHS : histoire de l'art, ID : 10670/1.25r5ij
The complexity of an inconclusive debate, leads us to put on the table of dialogue relations between the art with respect to the society in which it is housed, even more so at the moment and nobody can deny that this interdependence. We can we at least try to unravel the complex web of relations, still unconscious in a way have existed since the beginnings of societies. While the large collective behavior in its close link with the artistic, seem to find a form of social existence that would result for a side in the work itself and the other in how societies perceive as the content is then when it is undeniable responsibility of both the art and the artist, as are the producers of collective imaginaries which affect social behavior. This is why we propose a research about artists and their productions, that one time leaving the gallery, exhibitions and museums, transgressing these spaces to engage in a more direct with his company, which in turn leads to questions about the fuzzy edges that divide the political discourses of militarism and art that moves us in some cultural production-a-question: What are the fees that defines what should be designated as a work of art? Or if they really exist.